Blind Spot Series: Chicago (2002)

chicago-movie-review-poster-2002Director: Rob Marshall

Genre: Musical, Drama, Crime

Runtime: 113 Minutes

Main Cast: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah, Christine Baranski, John C. Reilly, Taye Diggs, Colm Feore, Chita Rivera

Plot: Roxie Hart and Velma Kelly find themselves on death row after committing murder. Roxie is the newcomer and desperately tries to get into Velma’s good books, until she finds herself in the spotlight of attorney Billy Flynn.

My Thoughts: YES. So much yes for this movie! When I watched La La Land I was hooked from that opening song and the same thing happened to me with Chicago. Why have I avoided musicals for so long when I grew up on the Disney classics? I guess sometimes it can be a little cringy to just suddenly burst into song during a serious moment, but the musical numbers in Chicago don’t work that way, instead, they’re stand-alone performances that tie in with whatever is currently happening, which is super effective.

Renée Zellweger is fantastic in this, starting out as a meek young girl dreaming of fame and naive to her surroundings, to quickly rising to fame and knowing how to make a stand for herself. Catherine Zeta-Jones is equally as stunning to watch, and Queen Latifah has her own raunchy number which I loved. Literally, I am struggling to form actual sentences here, because I enjoyed it so much. I guess in a way, none of these characters are likable, but they’re so much fun to watch.

I guess the only thing that stops me from giving Chicago full marks is that a lot of the songs, whilst fun at the time, aren’t catchy enough to stick in my memory. I can sing (badly) perhaps 5 to you from memory but there were so many more! Who knows, maybe a few plays of the soundtrack on my way to work will fix that for me.

chicago-movie-2002-catherine-zeta-jones

Best Bit: Cell Block Tango. It was the only song I’d actually heard of before watching it and oh boy it did not disappoint. Even my husband at one point turned around from his computer screen to sing ‘HE HAD IT COMING’. Song wise, that was my favourite, but We Both Reached For The Gun was visually the best, with the way that Roxie was a puppet and the media were all on strings. It was so clever.

Worst Bit: I’m equal parts gutted for and annoyed by Roxie’s husband. On one part, I just feel desperately sorry for him, he loved Roxie with every ounce of his being and she couldn’t care less. On the other hand, how bloody naive could he be? I wanted to shake him, and then hug him.

Fun Trivia: In the beginning of the scene introducing Mama Morton to the new inmates, Roxie Hart had a brief conversation with a woman smoking a cigarette. That character was played by long-time Broadway actress Chita Rivera who portrayed Velma Kelly in the original 1975 production of “Chicago”.

My Rating: 4 and a half tap dancing shoes which took Richard Gere 3 months to master the use of, according to IMDB!

chicago-richard-gere-tap-dancing

blind-spot-series-2019-banner-v2The Blind Spot Series was created a few years ago by Ryan at The Matinee, and is now hosted by Sofia at Returning Videotapes. As part of the Series, bloggers choose 1 movie to watch and review each month that is deemed a ‘classic’ or ‘must-watch’. To see the rest of my picks for the year, check out my announcement post here.

9 thoughts on “Blind Spot Series: Chicago (2002)

  1. Pingback: 2019 Blind Spot Movie List | Often Off Topic

  2. I know I watched this film a few years ago but don’t remember much about it. I definitely liked and will make sure to give it a rewatch.
    Cell-Block-Tango is one of my all-time favorite songs that is on almost all of my playlist. It’s worth watching for that alone!

    Like

  3. Pingback: Going Off Topic (#21) Thanks, Disney | Often Off Topic

  4. Cell Block Tango is so memorable! I really like this movie, it looks great and everyone is really fun in it, definitely one of the best musicals I’ve watched

    Like

  5. Nice review! Chicago is one of my favorite musicals. The cast is amazing, and this was Rob Marshall’s best direction for a musical so far. It deserved all of the Oscars it received.

    Like

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